The latest installment of the James Bond franchise, No Time Toĭie, closes the book on the Daniel Craig era of the international
Switched on Pop: ‘James Bond’s Spycraft Sound’ ★ See Also: Kat Clay: “Why Skyfall Is a Masterclass in Cinematography”. (For an essay of this sort, with so many images that go along with a few sentences of prose at a time, a Twitter thread is an outstanding medium.) Scott graciously and politely makes the case that Skyfall is more interesting and fully-realized because each new location gets a color palette of its own, whereas the entirety of Spectre is in a consistent color space. Both of those films were directed by Sam Mendes, but they had different cinematographers - Roger Deakins for Skyfall, and Hoyte van Hoytema for Spectre.
Speaking of Daniel Craig’s run as James Bond, Devan Scott put together a wonderful, richly illustrated thread on Twitter contrasting the use of color grading in Skyfall and Spectre. Devan Scott on the Use of Color in ‘Skyfall’ and ‘Spectre’ ★ Join thousands of teams that have stepped up their spreadsheet game with Rows.
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